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She is trying to make it not about her, but about the children.In this example, it shows how the grandmother is always trying to get what she wants.
She's saying: Don't think for a moment that because you've had a brief instant of illumination, and you suddenly see yourself with clarity, that you're not going to transgress two days down the road. My characters are all about gaining an understanding of the right thing to do—and avoiding it anyway.
That sense that we can be in some ways geniuses of our own self-destruction runs, in some ways, counter to the more traditional notion of the epiphany—which tells us that stories are all about providing information to characters who badly need it.
And that's one of the great things about what The Misfit tells the Grandmother in the line I like so much.
He's not saying that a near-death experience would have turned her into a good woman.
Human beings have to be re-educated over and over and over again as we swim upstream against our own irrationalities.
(There's a great line in Orson Welles' film Citizen Kane, where one of the protagonist's enemies says to him: "You're going to need more than one lesson, Mr.
For example, the grandmother wanted to go to Tennessee, but Bailey, the son, insisted that they go to Florida. I wouldn’t take my children in any direction with a criminal like that a loose in it. ” (1) In this quote, the grandma is saying how she wouldn’t go to Florida with the Misfits on the loose.
After she says this, it wasn’t acknowledged, so the next thing the grandmother says is that the children had already gone to Florida.
He displays an odd regard for the grandmother, who forgives him right before she dies: For Jim Shepard, author of Love and Hydrogen and You Call That Bad, this line has been cause to contemplate what it means to be good—and the value of goodness when it's merely fleeting.
If human beings can muster startling flashes of selflessness and generosity, why do we revert so quickly to our flawed, limited selves?