Because most of these "strangers" regularly assaulted Greek cities, the term "barbarian" gradually evolved into a rude term: a person who was a sub-human, uncivilized, and regularly practiced the most vile and inhuman acts imaginable.
It is obvious that a barbarian has not been considered as a member of society as well as a woman in Ancient Greece.
Euripides’s "Medea" was created in a period of Peloponesian War.
Each war, regardless of the century it occurred, not only destroyed and killed but also caused the reappraisal of the values in the society.
Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity.
She appears as enchantress, helper- maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Nussbaum, Christiane Sourvinou-Inwood, and Marianne Mc Donald.
At times a little too heavy on academic lingo or overly feminist theory but if you're a fan of Medea (and what self-respecting woman isn't) try out some of the essays.
Something about the character of Medea taps into a woman's primal instincts and memories of romantic heartbreak.
Her every impulse is essentially, in some way, understandable yet the degree to which she takes vengeance suddenly defies the imagination. My favorite part of the book was hearing how the chorus, as a side commentator of sorts, lets the reader in on the different layers of events, thoughts and feelings in the story.
Aristotle criticized Medea for its two illogical plot elements, the random appearance of Aegeus and Medea's escape in the chariot provided by the Sun-god.