Research Paper Topics On Music

Research Paper Topics On Music-5
The term entered the music press and spread internationally.In 1990 Billboard magazine created a world music chart, and in the 1990s catalogues and guidebooks to world music appeared, such as World Music: The Rough Guide.Several British and American popular musicians incorporated world musical elements into their music, for example, George Harrison (Indian sitar and ragas), Led Zeppelin (Arabic melodies) and the Clash (reggae rhythm).

The term entered the music press and spread internationally.In 1990 Billboard magazine created a world music chart, and in the 1990s catalogues and guidebooks to world music appeared, such as World Music: The Rough Guide.Several British and American popular musicians incorporated world musical elements into their music, for example, George Harrison (Indian sitar and ragas), Led Zeppelin (Arabic melodies) and the Clash (reggae rhythm).

They determined that record stores were reluctant to stock the music because it was not clear under which heading it should be sold: The existing rubrics of folk, ethnic and international were not clearly defined, differentiated or adequately promoted.

Following ethno-musicologists, the group decided to term the emerging niche world music.

In addition, the content of world music racks in stores is shaped more by trends in Western music purchasing than a systematic attempt to represent all the world’s music.

The swelling of the Celtic music subcategory within world music in the 1990s was due to North Americans exploring their (vaguely defined) Celtic heritage and not, for example, a change in the overall makeup of the music of the world.

There has been Western interest in world music as far back as Westerners have encountered other cultures.

Research Paper Topics On Music

For example, the Middle Eastern santur was a blueprint for the European pianoforte, and the banjo was descended from a Northwest African lute adapted by Africans in the Caribbean.

Whereas ethnomusicologists introduced the term world music as an inclusive term, in music promotion and distribution the term is used to distinguish it from other existing categories such as pop, rock, classical, and jazz.

Yet the precise boundaries of the world music category are unclear and somewhat fluid, as the following examples illustrates.

David Byrne, Peter Gabriel, and Mickey Hart followed in this vein.

Ethnomusicologist Steven Feld argues that the Western experience of world music in the 1980s was largely shaped by “pop star collaboration and curation” (Feld 2000, p. As world music grew in popularity, an increasing number of record labels started marketing it.

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