It’s the story of a male hitman who, after he’s double crossed, goes through gender reassignment surgery against his will.Tags: A Essay PaperEssay On Paperless In Work EnvironmentDepression Elderly Research PaperPurpose Of Writing A Research PaperGeorge Mason University Mfa Creative WritingHow To Do Business PlanningMicrofluidics Thesis
Additionally, to suggest that Frank is meant to represent all transgender people is nonsense because he is clearly not one himself, and, outside of the obvious physical construct, little about him changes after undergoing his forced surgery.
I would also point out that no less of a filmmaker than Pedro Almodovar used the notion of unwilling gender reassignment surgery as a plot point in his own unabashed genre exercise, “The Skin I Live In,” and no one seemed especially put off by it even though the deployment there was arguably more questionable from a taste perspective than what is seen here.
At a bachelorette party in a nightclub, the bride tells 2 guys offering blow to go away. The groom's 2 big brothers looked after their kid brother as kids and do so now again as veterans, "looking" for her and the 2 guys.
Alex, a mysterious thief, is pulled in by her former partner for one last heist.
She arranges with crime boss Honest John Hartunian (Anthony La Paglia) to have him grab Frank and bring him to her secret lab, where she proceeds to perform gender reassignment surgery on him. Kay asserts that the surgery will take away Frank’s desire to kill.
Needless to say, Frank sees things a little differently, and, once she discovers that the surgery cannot be reversed, she methodically hatches a grisly revenge plot on everyone involved with her transformation from Honest John and his goons all the way up to Dr. Helping Frank in her quest is Johnnie (Caitlin Gerard), a nurse with whom Frank had a one-night stand before his transformation and who doesn’t seem particularly nonplussed by recent developments, though it seems that she may be harboring a few secrets of her own.One man discovers the source of the uprising and with the help of an ex solider fights to put an end to it. I liked the differences, as well as, the same threads that run through every action movie such as dead bodies and guns.The relationship between a jealous, former child star and her sister take a twisted, dark turn after their careers flip-flop and a car accident leaves the more successful one confined to a wheelchair. I felt that with two female leads there would be more action for the mind and while there was it still had the physical action but it was done in a more straightforward manner.garnered much controversy when the more than slightly offensive plot was announced.It calls to question why a straight white man would helm a film that experiments with queer plotlines.The film also screams out for a more overtly stylized visual treatment in the vein of something like his great “Streets of Fire”—a fact underlined by the occasional bits of black-and-white photography and comic book-style transitions—that might have also helped to underscore the kind of pulpy approach Hill was clearly going for.Another big problem, at least at first, is the casting of Michelle Rodriguez as Frank.It looks to feature all the ignorance and lesbian exploitation that modern action films seem to be lacking. This is a mainstream film in which the lead character is a hitman who seems to botch a job, and as retaliation, the mob gets a doctor (Sigourney Weaver) to perform a sex change operation on him, turning him into a woman (Michelle Rodriguez).That said, “The Assignment” is still a problematic work in many ways from a purely cinematic perspective.The screenplay by Hill & Denis Hamill (which Hill has been toying with since the late ‘70s) is an awkward construction with much of the story presented in a series of flashbacks, as the now-incarcerated Dr.