The Creative Writing Coursebook

The Creative Writing Coursebook-4
Give yourself a subject and write about it without stopping or correcting yourself for five minutes. A good storytelling voice is a more honed and structured version of speech, and it is as individual to you as your fingerprints. What kinds of voices are clamouring for your attention on your bookshelf?You are likely to find lots of disparate voices talking, all with different, accents, references, cadences, obsessions.This exercise is especially effective in class because in the institutional hush of university buildings there are very few sounds to be heard: air con, buzzing strip lights, heels down the corridor outside, the droning of the lecturer next door.

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Start off with notes, fragments, half sentences, until the stuttering stops and you find yourself writing whole sentences, paragraphs, pages.

Often the first hurdle is the writer’s own self-consciousness about the act of writing itself.

A poem I wrote when I was thirteen still sounds like me at twenty-nine.

Perhaps it’s a sad reflection on my continuing juvenility, or, more seriously, it is the thread of me-ness that runs through my work, the personality that inhabits all the words I write.

Fully updated and including a foreword by Marina Warner and contributions from forty-four authors such as Kit de Waal and Amy Liptrot, this is the perfect book for people who are just starting to write as well as for those who want some help honing work already completed.

Filled with a wealth of exercises and activities, it will inspire budding writers to develop and hone their skills.Takes you through the process from keeping notebooks, diaries and clearing space, to training the eye, to ...A fully updated comprehensive guide for improving and practicing your creative writing, including contributions from Ali Smith and Kit de Waal The Creative Writing Coursebook, edited by Julia Bell and Paul Magrs, takes aspiring writers through three stages of essential practice: Gathering - getting started, learning how to keep notes, making observations and using memory; Shaping - looking at structure, point of view, character and setting; and Finishing - being your own critic, joining workshops and finding publishers.This step-by-step, practical guide to the process of creative writing provides readers with a comprehensive course in its art and skill.With genre-based chapters, such as life writing, novels and short stories, poetry, fiction for children and screenwriting, it is an indispensable guide to writing successfully.And that hurdle might well take a few pages to clear, like an old car with a dirty petrol tank, the first few miles will be a juddering, stop-start journey. You are engaging with something unfamiliar to you, don’t expect to produce a masterpiece in your first attempt.Start off with what you had for tea, the last phone call you made, the colour of your lover’s eyes, your favourite CD. Your fictional voice is not a million miles away from how you speak.A comprehensive guide for improving your creative writing, including contributions from David Lodge, Nell Dunn, Malcolm Bradbury, Maureen Freely and Patricia Duncker.The success of the writing courses at UEA belies the myth that writing can't be taught.Paul Mills teaches creative writing to u/gs and p/gs at York St John College.He has held writing fellowships at Leeds and Manchester universities and a Fulbright Teaching exchange fellowship in the US.


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