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Lord Henry creates a domino effect with Dorian corrupting anyone and everyone around him, “Yet these whispered scandals only increased in the eyes of many his strange and dangerous charm.” Wilde conveys this corruption through diction within this story, “A horrible sense of sickness came over him.He felt as if his heart was beating itself to death in some empty hollow.” Dorian corrupts Alan, convincing him to help destroy Basil’s body using blackmail.
Oscar Wilde demonstrates negative influence throughout The Picture of Dorian Gray using a dark tone, intriguing imagery, and ominous diction, thus portraying the social theme.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms Dorian falls in love with an alluring young actress, Sibyl Vane, whose character quickly deteriorates once Dorian belittles her as he announces the engagement has been called off, “I don’t wish to be unkind, but I can’t see you again.
Dorian Gray's image reflects his conscience and his true self, and serves as a mirror of his soul.
This fact echoes Wilde's statement (found in the preface) that "It is the spectator..art really mirrors." However, this theme first appears earlier in the preface, with Wilde's contention that "the nineteenth-century dislike of realism is the rage of Caliban seeing his own face in a glass." Realism is a genre of artistic expression that is said to have shown the 19th century its own reflection.
Throughout the novel, vanity haunts Dorian, seeming to damn his actions before he even commits them; vanity is his original sin.
Dorian's fall from grace, then, is the consequence of his decision to embrace vanity - and indeed, all new and pleasurable feelings - as a virtue, at the behest of Lord Henry, his corrupter.
When crimes are committed, it is not personal absolution that anyone is concerned with, but whether or not the guilty party will be held responsible by the public.
In this way, each character in the novel possesses an awareness of a split identity: one that is defined by the public, and one that they define themselves.
The figure of Dorian is an allegorical representation of this condition.
The portrait is a literal visualization of Dorian's private self, the state of his soul, while Dorian himself looks perpetually young, beautiful, and innocent.