The Yellow Wallpaper Research Essay

The Yellow Wallpaper Research Essay-23
In her horrifying depiction of a housewife gone mad, Gilman attempts to warn her readership that denying women full humanity is dangerous to women, family, and society as a whole."The Yellow Wallpaper," which was first published in the New England Magazine in 1892 after being rejected by the editor of The Atlantic, did not receive much serious attention until American writer and critic William Dean Howells published it in his The Great Modern American Stories in 1920.

In her horrifying depiction of a housewife gone mad, Gilman attempts to warn her readership that denying women full humanity is dangerous to women, family, and society as a whole."The Yellow Wallpaper," which was first published in the New England Magazine in 1892 after being rejected by the editor of The Atlantic, did not receive much serious attention until American writer and critic William Dean Howells published it in his The Great Modern American Stories in 1920.

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Physicians, who actually had little knowledge of the inner workings of the female body, presented complex theories arguing that the womb created hysteria and madness, that it was the source of women’s inferiority.

Ministers urged women to fulfill their duty to God and their husbands with equal submission and piety.

Gilman makes John the window through which readers can view the negative images of women in her society.

In Gilman’s lifetime, women’s right to become full citizens and to vote became one of the primary issues debated in the home, the media, and the political arena.

(The entire section is 429 words.) In 1913, more than twenty years after the first publication of ''The Yellow Wallpaper," Charlotte Perkins Gilman wrote that she devised the story, "to save people from being driven crazy." Gilman had suffered a near mental breakdown herself, and had been prescribed a rest treatment very similar to that prescribed to the narrator in "The Yellow Wallpaper." For Gilman, the act of resuming her normal life, which certainly included writing, was what restored her health.

Though we don't know what became of Gilman's narrator, we can chronicle Gilman's own life after her near mental breakdown.

Reviewers focus on the relationship between the narrator and her husband John, maintaining that John's treatment of his wife represents the powerlessness and repression of women during the late nineteenth century.

Hedges concluded that the story is ''one of the rare pieces of literature we have by a nineteenth-century woman which directly confronts the sexual politics of the male-female,...

Though she concentrated on feminist issues, her influence reached beyond the woman's sphere.

She has been compared by some critics to the author George Bernard Shaw and the art critic John Ruskin, and the London Chronicle compared her book, Women and Economics, to the writings of John Stuart Mill.

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