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French soprano Natalie Dessay first rose to global prominence in 1990, winning first prize at the International Mozart Competition in Vienna.In the years to follow, she made her debuts with the Opéra Bastille, Vienna, Lyons, Aix-en-Provence, Metropolitan, and La Scala opera houses, returning to the Met in 1997 in Adriane and The Tales of Hoffman.As we know, Dessay is a singer of great skill, gifted with a voice that extends with ease well into the topmost regions.
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“The proper place for the performance of vocalises is in the singing studios” wrote a critic in The Musical Times of January 1934 (the object of his reprimand was Conchita Supervia who had introduced an aria by Rossini into one of her concert programmes).
We take a less severe view these days, and personally I would not complain if a whole CD were devoted to Concone’s exercises sung as agreeably as are the various items in this recital by Natalie Dessay.